Everyone Loves the Truffle Shuffle
Remember that dude from The Goonies? You know, the kid who played Chunk? I was wondering what happened to that dude, so I did a little digging. Turns out he's an entertainment lawyer. His name is Jeff Cohen. This is a relatively recent picture of him from Global Talent Associates. I would have done a little more research, but I guess he's already got his fair share of stalkers. So instead, I'll just sit back and bask in the glory that is the Truffle Shuffle. Enjoy:
On Becoming a Yuppie
Recently, an acquaintance left a comment on an old post here on The Churning branding me a yuppie. In fact, his exact words were "yuppie scum." I get the reference. Retro punk is cool I guess. But it does seem kind of dated, like saying "keep on truckin" or "tune in, turn on, and drop out."
The term "yuppie" is a callback to an early 80's insult. Initially, the word brought with it connotations of polo matches, country clubs, and expensive German cars. It quickly expanded to include those within its true definition - as a nickname for Young Urban Professional. Any city dweller in his or her 20's and 30's with a little extra money to throw around ended up sliding face first into the yuppie category. I suppose that's where I am now, and because of that I don't take umbrage.
As a kid, I thought yuppies really were scum. I saw stereotypes of these former frat boys in movies like Bachelor Party (Tom Hanks' nemesis) or One Crazy Summer (John Cusack's nemesis) and bought into the hype. Those characters, of course, were complete assholes. The low-income downtrodden good guy is somehow expected to compete with a complete douchebag who was lucky enough to be born into a wealthy family. (That lucky douchbag later became a serial killer in American Psycho.)
I grew up as an outsider. I didn't have many friends, and the small group of friends I did have understood the value of a mohawk or dreadlocks. They realized the importance of a major skateboarding injury. They knew that playing punk rock in front of a crowd filled with moshing 20-somethings was a pretty big achievement for a group of 15-year-olds. So inevitably, I felt far removed from the things that defined yuppiedom.
Nowadays things are a bit different. I still hate radio pop. I still skate and fall frequently. I still play indie rock. But I was also lucky enough to survive college (I was never in a frat). I've gotten married, and bought a house in the city. And after years of struggle, I finally have a job that doesn't completely suck. And you know what? I don't feel guilty. Fuck it.
I'm not saying that I'm trying to reclaim the term yuppie. I'm not proud and I'm not looking for a label. But if you think I'm a yuppie, I'm not going to fight it. I am relatively young. I do live in the city. And I do have a job. Young Urban Professional? Perhaps.
So why the fuck am I writing this? Why do I care? Truth is - I don't really know. Maybe it's because I don't tend to hang out with yuppies. My friends are the same types of people I've always hung out with. People with interests similar to mine - like live music and dive bars. People who tend to "hate yuppies."
If my friends think I'm a yuppie, then they obviously accept it for what it is. They could find other friends if they wanted to. Seems to me I somehow escaped the label in their eyes. So I guess it bothers me when an acquaintance makes an assumption about me. Because I suspect I'm not what he thinks I am.
You can read the actual exchange here if you're interested.
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan
Looks like the hype paid off for Borat. The movie has already made a profit - in one weekend - at only 837 theaters. The internet hype machine failed Snakes on a Plane, but it lifted Borat to a $26 million pay day. Is this proof that America actually has a sense of humor? Or is it possible the theaters were simply crowded with sexist anti-Semites laughing their asses off?
I guess it doesn't really matter. This thing's going national - to 2,500 theaters. And it makes sense. Just look at the sexy package that guy's dangling in the picture on the left from the Cannes Film Fest. Who wouldn't want to watch that shit in action for an hour and a half? I'm sure the red-staters are going to love him.
For more Borat, check out his interview with Opie and Anthony.
The Churning is Under Attack

Comment spammers are silly fucks. For some reason, they've set their spambots to attack The Churning, even though Askimet cockblocks them every time. Usually, we get a dozen or so spam comments each week, but over the past three days we've snubbed more than a thousand dummy comments.
Being under attack sucks, but there's one positive spin to this story. Before this recent shitstorm, the spam around here had been deadly-dull. "Discount valium", "bargain viagra", "penis enlargement pills"... I was beginning to think spammers had no imagination. At least this time I was entertained. Check out a few snippets from recent spam comments. These are actual excerpts:
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Sexxxy! Thank you for piquing my interest, spammers. Now go home, insert a catheter into your tiny cock, and pour Drano into the tube.
The Flitcraft Episode (Parable)
I've been reading Oracle Night by Paul Auster. Among other themes, the author discusses the notion of instant change - the idea of a person taking their own life in a different direction, suddenly and unexpectedly. You'll find this theme throughout American fiction, specifically in cinema.
- American Beauty is a classic example. Kevin Spacey's character finds out he's losing his job, and instead of moving forward with life, he turns his whole world upside down.
- Another example you'll recognize is Office Space. Ron Livingston's character is under hypnosis when the hypnotist suddenly collapses in front of him and dies. Nothing is the same after that.
- And finally - consider Falling Down. In this example, there's hardly a catalyst. The moment when Michael Douglas' character decides to quit his life, he happens to be sitting in traffic. Within moments, he has left his car idling on the freeway and soon he's stomping through the city waving around a baseball bat.
In Oracle Night, Auster references a sub plot in Dashiell Hammett's The Maltese Falcon, which of course was later made into one of the most well known examples of film noir, starring Humphrey Bogart as Sam Spade. In the novel, the sub-plot gets a little more attention than in the film, which allows the story only a few minutes in a Bogart monologue. Nevertheless, it is pivotal to the overall story.
This example is familiar enough to bookworms and film buffs, that later examples of the theme are compared to it. They call it the Flitcraft Episode or the Flitcraft Parable.
